A Rayne Wedding Film

The Hollywood Roosevelt wedding film
Jordon & Annie

Jordon and Annie at The Hollywood Roosevelt. Sound on.

Jordon and Annie standing close together on a terrace at The Hollywood Roosevelt, an olive branch in the foreground and hillside buildings and greenery behind them
Jordon & Annie The Hollywood Roosevelt · Los Angeles
LocationThe Hollywood Roosevelt
SettingLos Angeles, California
The FilmCinematic wedding film
01The Day

Above the noise.

Jordon and Annie were married at The Hollywood Roosevelt, and the frame we kept for this film is the quiet one: the two of them close together on a terrace, an olive branch crossing the foreground, hillside buildings and greenery stacked up behind. It is a twelve-story hotel on the Walk of Fame, and this is what it looks like once you are above the street.

The film runs six minutes and fifty-three seconds. That length is a decision rather than a default.

02Filming at The Hollywood Roosevelt

Notes on the place.

The Roosevelt opened in 1927 and is still a working hotel, which is the part that shapes a wedding day here more than the history does. Corridors are in use, the lobby is in use, and the building does not pause for you. That is not a complaint. It is why frames made here feel lived in rather than dressed. Practically it means a film at this address is built out of small, well chosen positions instead of big ones: a lens down the length of a corridor, a wide from the far side of the pool deck, a terrace found at the right hour and held for two minutes. The hotel is generous if you arrive knowing where to stand.

03At The Hollywood Roosevelt
The Roosevelt's rooftop sign against a clear blue sky, a traffic signal in the foreground and the marquee below.
Annie coming through the arched lattice doorway on a man's arm, past tall urns of cream and blush florals, the tiered stone fountain and banks of candles in the foreground.
Jordon and Annie under the chuppah, a floral arch of white blooms and greenery with strands of paper cranes hanging behind them, a man crouched between them.
The long reception table, tall glass candelabra with taper candles and low arrangements of red and blush roses down its length, gold chairs along one side.
Annie lifted in a chair during the hora, guests crowding in around her, both of them lifted in chairs with a white napkin stretched between them.
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